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Market St Spokane, WA 99217-6131 (509) 458-7450 Contact: Danielle Shawgo [email protected]. I remember: Once he cut himself on bottle- glass,And no more felt the pain than if his blood. Were water: was how I learned this. Blood was nothing until its wetness would. Somehow bother him, and he’d undress. To free himself from what? Nor run for comfort, nor cry, but only wet. Made him complain—not the cut. My son toddles to four swings,Pushes them until he brings. Them into a severe alignment that pleases him. How long his own severity attends him; How little he notices or cares for other children—Except their play disrupt his careful pattern. Of empty swing and empty swing,Of crossing arc and arc of thing. And thing, two pairs doubling. That leaves three other children out,but leaves him sing. One morning his crib is an open handful of pick- up sticks. Around his fallen mattress. In how many nights? He has unwound the metal bolts and nuts and washers. And drawn out the several rods that help hold it together . Sleeping. Or walking with a string’s end in his fist? I see he has walked from doorknob to doorknob. To cabinet door to doorknob to cabinet door, every one on the floor. His pattern of walking is woven behind him, so hard and carefully knotted. At each knob and handle and drawer pull, there is no advance possible. Toward him. It is a morning’s work to undo this. And a tantrum and a resistance not to be. Met with, I hope, too very often. I hope he does not repeat this. As I fear he will repeat this. I do not want to repeat this. We could not go out. He would not dress,Or be clothed, or stay clothed, or tolerate. So much as a sock, or stitch, or suffer. A single thread to cling upon his skin. Nor eat, nor let us eat, or sleep—Either of us . When. That bedtime came and he banged. His crib, paced all night in there,Babbling one syllable in his trance,Happy it seemed to me, but oblivious(I learned—oblivious), I read: the stacks. 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We walked through the whole house, once,Once, room after room, all white, all with stunning windows . My son and I could only afford to live in one of them—downstairs. My son slept in the library, a north room with no closet. I slept in the original kitchen, another north room, without heat. Its attic—crow’s nest—was empty. The maid’s room was occupied—Do Not Enter—my renter’s storage flickered under a loopy neon ring, serviced by a run of stapled conduit. My son, my renter and I were in the basement, waiting out a tornado warning. I opened the subject of buying a house—her own home. Then it was empty enough to touch, to enter the master bedroom and linger before the octagonal bay of four double casements, twin to a formal dining room below. My son wants this room. It is becoming our house now. We do not always act as if we were in church. My twelve- year- old walks into his summer dorm room at physics camp. He says it is an ugly room. It is. He needs to live here, just a week. 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There are no proper places in this house for televisions. All the proper places are taken by fireplaces. I take down our latest volume, to read a chapter aloud to my son and his fidgeting friend. Now that the renter’s entry is closed up . Wind. Will carry you. Away. Everyone. Who ever loved. Or remembered. You—though. They persist,Or do nothing—Will follow. Or go before you,The same way. Away,He learned to play. Within a baseball team,The year his teachers’Favorite, unfavored. Boston Red Sox,Won the Series. Baseball and golf! A blue and rather chunky bicycle. Propped at the innermost, blue door of the courtyard. Another. Unmoved bicycle with wide- winged handlebars in the monks- only,Quadrangle garden, into which we may only, but openly, gaze: These are The Rule’s customs of privacy and un- simple welcome. Our square refectory table placed at a window that opens onto. The dead garden. 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His head lie propped on a cushion—Heels—easily beyond now—the other arm’s end. Hell! Greek and Roman history are hard enough. For anyone—to dictate well, or spell. Theology is: Practical lessons in how to make time. For some activity you love. Ceramics: where he likes most to work,At length, entranced, seated at the wheel—Functional, centered spinning—his kicking, kicking. Heel—shaping lightweight cups, a set of plates,His glazed, shallow dish for loose pocket change,A vase that flows out and, breathing, closes in. Upon what is now—a nearly perfect lip. Fall again. We hike on marshland. With his camera. He found. A dragonfly at first,And then a toad, the exact. Sandy brown of the pathway’s. Ground—to draw attention to. Though I missed them,Digital captures in his camera. Showed me—the dragonfly—Slow, old, or hurt perhaps,It crawled, flipped over, righted,Wandered off into the grass . Still,He saw it, and placed it gently. On a bleaching leaf, for a good. 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Discuss your favorite Star Plus tv serial. Saubhagyavati Bhava; Ek Boond Ishq; Junnon: Aisi Nafrat, Toh Kaisa Ishq. Saubhagyavati Bhava? Dil Se Di Dua.. Ajit Thakur stated that the show was intended . To the outside world, Viraj was suave and charming, at home he was a different man. Viraj, who had an abusive childhood, was irrationally dominating while being sweet, polite and nice. While everyone saw Viraj as the perfect ideal husband, it was only Jhanvi who knew and dealt with the manipulative and irrational side of him. Viraj was a very rich businessman of the city, and loved Jhanvi since he saw her in college before the marriage, few years ago. But Jhanvi faced extreme domestic violence and torture from him, but she still loved him and tried to change him but was unable. Jhanvi later became pregnant with Viraj's baby and her hopes were again stirred after the pregnancy news.. She hoped that their child would bring change in her havocked married life. But she got a misscarriage due to Virajs intense torture. After being enough tortured by Viraj, Jhanvi faked her own death and ran away from Viraj's house and started a new life by changing her identity as Sia and fled to Gurgaon so Viraj not could find out that she was alive. Viraj was shocked to hear the news of his wife's death. Sia met Raghav in Gurgaon, who was her saviour and helped her to become a strong woman so she could face her fear. He fell in love with her, but she remained unaware. Sia met Raghav's mother, who asked her to stay in their house as Krish's (Raghav's nephew) governess. Eventually the family members of Raghav started loving Sia and they considered her as their family member. But Viraj found out that Sia still was alive, so he tracked her and found out where she was. He created drama between the family members and Sia only to get her back, but with Raghav's help Sia got him arrested while she realized her love for Raghav. Sia divorced Viraj and married Raghav, she started her new life with him and her in laws and Viraj at the same time was sent to mental asylum. One year later. Raghav learned that a Rana was behind the case, and went on search to find Rana, who wanted revenge against his family. He discovered that it was ACP Saxena (a good family friend to his family who helped them in any cases of crimes), who killed both Dev and Komal, The ACP was indeed Rana. Viraj was aware of Rana's truth, but Rana sent him to the mental asylum and used shock treatment on him to make him forget everything. That led Viraj's mind to become that of a 7- year- old's. After much trouble Raghav got Rana arrested, but Viraj nearly got suffocated whilst being buried alive by Rana's men, but Raghav saved him and used shock treatment to resuscitate him. As a result, Viraj gained his memory back and tried to get Sia back again. Everyone later realised that Viraj regained his memory, so Raghav took Viraj back to jail. But they got attacked by some goons and while fighting with them, Raghav got shot and dies while saying Sia's name. Viraj got all the blame for his murder. He tried to convince everyone that he did not kill Raghav but, because of that everyone suspected Viraj for killing Raghav, Sia wanted vengeance for her husband's death. Viraj tried to tell Sia that he was innocent but at the same time he still wanted her back. To get Sia back he forced her to say . But she threw the antidote away, because she didn't want to survive. The last thing she said before her death was that she will die, but her heart will still be alive, that someone will come and make Viraj pay for all his bad deeds and bring her justice. She also said that she hated him and only loved Raghav. She breathes her last by saying Raghav's name. After Sia's death. But Viraj who still didn't believe that Sia was dead stole her dead body, but he was unaware of the operation. With that incident the show started focusing on the life of Ananya, to whom Sia's heart was donated. Ananya was a journalist of a TV channel and wanted to find found out about Viraj and Sia's story. She wanted to know about the case between them and later got to know that it was Sia's heart she received. Ananya got to know that Viraj killed Sia and throughout the course of the show she tried her best to expose Viraj as cunning and conniving and tried to prove that he was the murderer of Sia, and on the other side Viraj found out about the operation, that Ananya was the person who got Sia's heart transplant, he couldn't accept that someone . After many back and forth strikes by both, Ananya found out that Viraj got Sia's body hidden somewhere in his house, she tried her best to find it and at last she succeeded to find her dead body, so she took it for cremation and Viraj at the same time found out about it and ran to where it was taking place. He tried a lot to stop them but was unable, then Ananya got angry and cursed Viraj making him realize all his bad deeds he had done in his past, how wrong he was about torturing Sia to make her realise his love for her. As a result, all those past memories reminded Viraj of his wrongdoings and he finally realised how wrong he was. He was totally destroyed and ruined inside, so he went to the police station and got himself arrested by accepting all his crimes. He got a punishment of 1. By Viraj accepting all his bad deeds, and accepting about how bad he was by torturing Sia, Ananya's heart felt that Sia finally forgave Viraj. The story ended with Viraj in jail in memories of Sia. Download Majey Pati Saubhagyavati Title Song Lyrics. MP4. Obtain free of charge . That is just a partial critique program, remember to purchase the cd / dvd original vcd Saubhagywati Title Song to get the highest quality like a tribute on the artist / video maker as a way to keep working. 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The Serenity Reference Manual. The Screenplay Pattern is an approach to writing high quality automated acceptance tests based on good software engineering principles such as the Single Responsibility Principle, the Open- Closed Principle, and effective use of Layers of Abstraction. It encourages good testing habits and well- designed test suites that are easy to read, easy to maintain and easy to extend, enabling teams to write more robust and more reliable automated tests more effectively. In this section we will look at how to use the Screenplay Pattern with Serenity BDD. We will be illustrating the Screenplay Pattern using the Angular. JS implementation of the well- known Todo. MVC (http: //todomvc. The Screenplay Pattern will be illustrated by some tests against the Todo. MVC application). You can experiment with this application at http: //todomvc. Figure 2. 5. The Screenplay Pattern will be illustrated by some tests against the Todo. MVC application. You can use the Screenplay Pattern with Serenity BDD in JUnit, Cucumber or JBehave. For simplicity, the examples will be using JUnit. Introducing the Screenplay Pattern. Suppose we are implementing the . This feature could have an acceptance criteria along the lines of . If we were testing these scenarios manually, we could create test plans like the following: Should be able to add a new todo item. Open the application. Add an item called . Even if you are not familiar with how this code is implemented under the hood, it should be quite obvious what the test is trying to demonstrate, and how it is going about it. In addition, the Serenity reports produced for this test also reflect this narrative structure, making it easier for testers, business analysts and business people to understand what the tests are actually demonstrating. A typical Screenplay Pattern report is shown in The Serenity report documents both the intent and the implementation of the test. Figure 2. 6. The Serenity report documents both the intent and the implementation of the test. The code listed above certainly reads cleanly, but it may leave you wondering how it actually works under the hood. Screenplay Pattern tests runs like any other Serenity test. The Serenity Screenplay Pattern currently integrates with both JUnit and Cucumber. In JUnit, you use the Serenity. Runner JUnit runner, as for any other Serenity JUnit tests. The full source code of the test we saw earlier is shown here: @Run. With(Serenity. Runner. Add. New. Todos . There are however a few things here that are new. In the following sections, we will take a closer look at the details. Layers of abstraction. Experienced automated testers use layers of abstraction to separate the intent of the test (what you are trying to achieve) from the implementation details (how you achieve it). By separating the what from the how, the intent from the implementation, layers of abstraction help make tests easier to understand and to maintain. Indeed, well defined layers of abstraction are perhaps the single most important factor in writing high quality automated tests. In User Experience (UX) Design, we break down the way a user interacts with an application into goals, tasks and actions: The goal describes what the user is trying to achieve in business terms. The tasks describe the high level steps the user needs to perform to achieve this goal, and. The actions correspond to how a user interacts with the system to perform a particular task, such as by clicking on a button or entering a value into a field. The Screenplay Pattern in Serenity BDD provides a clear distinction between tasks and actions, which makes it easier for teams to write layered tests more consistently. Actors and the Screenplay Pattern. Tests describe how a user interacts with the application to achieve a goal. For this reason, tests read much better if they are presented from the point of view of the user. In the Screenplay Pattern, we call a user interacting with the system an Actor. Actors are at the heart of the Screenplay Pattern (see The Screenplay Pattern uses an actor- centric model). Each actor has a certain number of Abilities, such as the ability to browse the web or to query a restful web service. Actors can also perform Tasks such as adding an item to the Todo list. To achieve these tasks, they will typically need to interact with the application, such as by entering a value into a field or by clicking on a button. We call these interactions Actions. Actors can also ask Questions about the state of the application, such as by reading the value of a field on the screen or by querying a web service. Figure 2. 7. The Screenplay Pattern uses an actor- centric model. In Serenity, creating an actor is as simple as creating an instance of the Actor class and providing a name: Actor james = Actor. Different names can be a short- hand for different user roles or personas, and make the scenarios easier to relate to. Actors have abilities. Actors need to be able to do things to perform their assigned tasks. So we give our actors . If this is a web test, for example, we need James to be able to browse the web using a browser. Serenity BDD plays well with Selenium Web. Driver, and is happy to manage the browser lifecycle for you. All you need to do is to use the @Managed annotation with a Web. Driver member variable, as shown here: @Managed. Web. Driver his. Browser; We can then let James use this browser like this: james. Browse. The. Web. Browser)); To make it clear that this is a precondition for the test (and could very well go in a JUnit @Before method), we can use the syntactic sugar method given. That(): given. That(james). Browse. The. Web. Browser)); Each of the actor. Keeping the things an actor can do (browse the web, invoke a web service. For example, to add a new custom ability, you just need to implement a new Ability class. Actors perform tasks. An actor needs to perform a number of tasks to achieve a business goal. A fairly typical example of a task is . At the heart of the Screenplay Pattern, an actor performs a sequence of tasks. In Serenity, this mechanism is implemented in the Actor class using a variation of the Command Pattern, where the actor executes each task by invoking a special method called perform. As() on the corresponding Task object (see The actor invokes the perform. As() method on a sequence of tasks). Figure 2. 8. The actor invokes the perform. As() method on a sequence of tasks. Tasks are just objects that implement the Task interface, and need to implement the perform. As(actor) method. In fact, you can think of any Task class as basically a perform. As() method alongside a supporting cast of helper methods. Tasks can be created using annotated fields or builders. To do its reporting magic, Serenity BDD needs to instrument the task and action objects used during the tests. The simplest way to do arrange this is to let Serenity create it for you, just like any other Serenity step library, using the @Steps annotation. In the following code snippet, Serenity will instantiate the open. The. Application field for you, so that James can use it to open the application: @Steps. Open. The. Application open. The. Application. But for more sophisticated tasks or actions, a builder pattern like the one used with the Add. ATodo. Item earlier on is more convenient. Experienced practitioners generally like to make the builder method and the class name combine to read like an English sentence, so that the intent of the task remains crystal clear: Add. ATodo. Item. called(. For example, the Add. ATodo. Item class has an immutable field called thing. To. Do, that contains the text to go in the new Todo item. Add. ATodo. Itemimplements Task . High level tasks rely on other lower- level tasks or actions. To get the job done, a high level business task will usually need to call either lower level business tasks or actions that interact more directly with the application. In practice, this means that the perform. As() method of a task typically executes other, lower level tasks or interacts with the application in some other way. For example, adding a todo item requires two UI actions. Enter the todo text in the text field. Serenity provides a small number of basic Action classes for core UI interactions such as entering field values, clicking on elements, or selecting values from drop- down lists. You can find these in the net. In practice, these provide a convenient and readable DSL that let you describe common low- level UI interactions needed to perform a task. For example, the UI Action to enter the text defined in the thing. To. Do field into the input field with an ID value of . A better practice would be to refactor the selector into a simple Page Object class, like this one: publicclass. New. Todo. Formextends Page. Object . These labels appear in the test reports and make them more readable: publicclass. New. Todo. Formextends Page. Object . You can also reference the actor itself using the special. The end result is a blow- by- blow account of how each business task was performed (see Test reports show details about both tasks and UI interactions). Figure 2. 9. Test reports show details about both tasks and UI interactions. Action classes can access the Serenity Web. Driver integration. You can also write your own Action classes. If the actor has the Browse. The. Web ability, the Action class can integrate with the Serenity Web. Driver support in several ways. One approach is to use the Browse. The. Web class to access the Web. Driver instance associated with an actor. To do this, you use the Browse. The. Web. as(the. Actor) method, as shown here: public < T extends Actor> void perform. As(T the. Actor) . Tasks can be used as building blocks by other tasks. It is easy to reuse tasks in other, higher level tasks. For example, the sample project uses a Add. Todo. Items task to add a number of todo items to the list, like this: given. That(james). was. Able. To(Add. Todo. Items. called(. Actors can ask questions about the state of the application. Crystal to SSRS Conversion and SSRS Web Reporting . We were able to quickly turn around migrated reports (from crystal) to MS SSRS 2. The reports contained a large amount of business logic that would have taken us months to rewrite in SSRS. To convert by hand would have cost us hundreds of man hours as opposed to eighty man hours. They saved our company $1. Crystal wanted to upgrade our license. We were able to meet our tight dead line and no end user issues in regards of data quality and layouts. |
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January 2017
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